Stage & Screen

James Newton Howard's score for Barbra Streisand's The Prince of Tides is a delicate, pretty set of repetitive orchestral themes. Indeed, for a soundtrack, it is amazingly consistent in terms of to...

Paul Thomas Anderson's second film, Boogie Nights, was an epic tour de force concerning the porn industry in the late '70s and early '80s, running two and a half hours and featuring nearly ten majo...

This is a clever, witty, piercing, knowingly satirical yet wholly serious musical about gay subculture that ought to be seen by lots and lots of straight people (it would greatly lower the tension ...

Unlike most soundtrack albums, the one for The Producers does not restrict itself to containing just the score of the film; in fact, it is dominated by dialogue excerpts that add up to an audio ver...

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